Rezumat/Abstract. According to Ernst & Young’s - Cultural Times: the first global map of cultural and creative industries the „global cultural and creative industries occupy 1% of the active population -(generally visual arts, the book and music industry). In the first place of the sales with 33% is Asia-Pacific, followed by Europe 32%, and the United States 28% in the third place”. Looking at these statistics, we can conclude that from an economic and social point of view, the activities that are acknowledged as being part of the cultural and creative sectors already play an significant role in the development and diversification of worldwide scale economy.

Cuvinte cheie/Key words: innovation, economic development, competitiveness, cultural identity, creative industries

DOI: https://doi.org/10.54508/rsdu.2018.04

Bibliografie/References

1. Becuţ, A., Bâlşan, B., Chelcea, L., Dărăşteanu, C., Mucică, D., (2011) Contribuţia Industriilor Bazate pe Copyright la Economia Naţională pentru perioada 2006-2009, INCFC, Bucureşti, România, https://www.culturadata.ro/wp-content/uploads/2011/12/6_Contributia_Industriilor_Bazate_pe_Copyright_2006_2009_2011.pdf.
2. Comisia Europeană (CE), (2010), Eliberarea potenţialului industriilor culturale şi creative, COM(2010) 183 final, Bruxelles.
3. Croitoru, C., Cojanu, V., Mucică, D., Becuţ, A., (2016) Cartea alba pentru activarea potenţialului economic al sectoarelor culturale şi creative din România, INCFC, Pro Universitaria, Bucureşti, România, https://www.culturadata.ro/wp-content/uploads/2016/09/2016_Cartea_Alba_RO.pdf.
4. Cunningham, S., (2006), What price a creative economy? Platform papers 9, Currency House: Sydney, DOI: https://doi.org/10.1177/1329878X0712300123.
5. Davies, R., Sigthorsson, G., (2013), Introducing the Creative Industries. From Theory to Practice. Sage Publications, UK, https://books.google.com/books/about/Introducing_the_Creative_Industries.html?id=8mpEAgAAQBAJ.
6. Ernst & Young (EY), (2015), Cultural Times: The first global map of cultural and creative industries, CISAC – Confederation of Societies of Authors and Composers, Paris, France, https://unesdoc.unesco.org/ark:/48223/pf0000235710.
7. European Commission, (2006) Content for competitiveness - strengthening of the European creative industries in the light of the i2010-Strategy, 02.03-03.03.2006, Vienna, Austria.
8. Piattoni, S., (2010), The Theory of Multi-level Governance - Conceptual, Empirical and Normative Challenges, Oxford University Press, New York, United States, DOI: https://doi.org/10.1093/acprof:oso/9780199562923.001.0001.
9. Potts, J., (2007), How creative are the super-rich?, Agenda 13(4), pag. 139–50, DOI: https://doi.org/10.22459/AG.13.04.2006.04.
10. Potts, J., Cunningham, S., (2008), Four models of the creative industries. International journal of cultural policy, 14(3), pag. 233–47, DOI: https://doi.org/10.1080/10286630802281780.

Text integral/Full text